Kinder is an excellent example of a show taking risks at the Fringe, both for the production and the audience.

There are hints on what to expect on paper – a story of a Drag Queen preparing a “comedy roast” but finding out with an hour to go, it’s actually a booking for a children’s story time show. In that short liminal space, there is some theatrical magic that lifts the story to something powerful, reflective, and vitally important.

It’s the Fringe at its best. I caught up with the team behind the show – producer and performer Ryan Stewart and director Tiah Bullock to find out more.